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Score: Mechanical Asynchronicity – Mimesis and (non-)repetition through notation and performance

Version 2 2024-03-13, 09:50
Version 1 2023-12-20, 12:04
journal contribution
posted on 2024-03-13, 09:50 authored by Martin ScheureggerMartin Scheuregger, Danica Maier

In this article we present Score: Mechanical Asynchronicity through a series of discussions and demonstrations, combining documentation of the work itself and explorations of the issues and ideas with which it engages. We explain the practical context of the project, then discuss the early work and its context in ideas of appropriation and transcription; the use of scores, framed by discussions of mimesis; and lastly a discussion and demonstration of the repetitive, iterative performance process that the project uses. Performances of the work are presented as videos alongside online-specific interactive and concert versions of the work.

History

School affiliated with

  • Lincoln School of Creative Arts (Research Outputs)

Publication Title

ECHO, a journal of music, thought and technology

Issue

4

Publisher

Orpheus Instituut

ISSN

2736-5824

eISSN

2736-5824

Date Submitted

2023-04-04

Date Accepted

2022-09-30

Date of First Publication

2023-02-15

Date of Final Publication

2023-02-15

ePrints ID

53526

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    University of Lincoln (Research Outputs)

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