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Publications

  • Fragment, Time and Memory: Unity in Kurtág's Kafka Fragments
  • Temporal Experience in George Benjamin’s Sudden Time
  • Composer-composer collaboration and the difficulty of intradisciplinarity
  • Conceptions of time and form in twentieth and twenty-first-century music
  • The Music of Thomas Simaku
  • The Purpose of the Written Element in Composition PhDs
  • Simaku, Thomas [Thoma]
  • Responding to the modernist fragment
  • Redefining idiomatic writing for the pedal harp
  • Audience perception in experiential embodied music theatre: a practice-based case study
  • Teaching Musical Analysis as an Aural Skill
  • The role of the written element in composition PhDs in the UK: qualitative and quantitative survey data

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