figshare
Browse

Deb Verhoeven

Canada 150 Research Chair in Gender and Cultural Informatics (Entertainment and gaming)

Edmonton

Publications

  • Film Distribution in the Diaspora: Temporality, Community and National Cinema DOI: 10.1002/9781444396416.ch14
  • A Method for the Visual Representation of Historic Multivariate Point Data DOI: 10.1007/978-3-642-19214-2_11
  • Editorial DOI: 10.1386/sac.4.3.193_2
  • Turkey Shoot DOI: 10.1386/sac.4.1.73_1
  • Australian screen adaptations in the AFI Research Collection DOI: 10.1386/sac.3.3.325_7
  • She would say that, he's from Melbourne: fun and games with Dame Edna and Barry Humphries DOI: 10.1080/14443050903079706
  • Guest editorial DOI: 10.1386/sac.1.3.243_2
  • Twice born: Dionysos Films and the establishment of a Greek film circuit in Australia DOI: 10.1386/sac.1.3.275_1
  • As Luck Would Have It
  • The Australian Screen Producer in Transition
  • Aggregating data for social linking in the humanities and creative arts: The humanities networked infrastructure (HUNI)
  • Doing the sheep good: Facilitating engagement in digital humanities and creative arts research
  • The collaborative economy: A disruptive innovation or much ado about nothing?
  • Mapping the ill-disciplined? Spatial analyses and historical change in the postwar film industry
  • Kinomatics: A global study into cinema data
  • A ‘natural experiment’ in Australian cultural policy: Australian Government funding cuts disproportionately affect companies that produce more new work and have larger audiences
  • Australian films at large: Expanding the evidence about Australian cinema performance
  • German film producer networks (2009-2016)
  • Australian film producer networks (2006-2015)
  • Australian film producer networks (2006-2015)
  • Show me the data!: Uncovering the evidence in screen media industry research
  • German film producer networks (2009-2016)
  • Aggregating cultural heritage data for research use: The humanities networked infrastructure (HuNI)
  • Exhibiting the exhibitors: Spatial visualization for heterogeneous cinema venue data
  • Feature film diversity on Australian cinema screens: Implications for cultural diversity studies using big data
  • The Cinema Cities Index: Comparing urban cinema cultures around the world
  • Agregación de los datos para vincular social en las humanidades y artes creativas: La Humanities Networked Infrastructure (HuNI)
  • (Inter-)Disziplinäre Routen und digitale Praxis: Kinomatics und die industrielle Geometrie der globalen Kinoforschung
  • Screenshot of HuNI Knowledge Graph
  • ARC LIEF (2008-2017) by gender
  • Australian producer networks (2006-2015)
  • Greek Cinema Venues in Melbourne, Australia
  • Australian Producer Networks (2006-2015)
  • Greek Cinema Venues in Melbourne, Australia
  • Male Film Producer Networks in Australia (2006-2015)
  • Male Film Producer Networks in Australia (2006-2015)
  • Melbourne's Post-war Greek Cinemas Animation
  • Melbourne's Post-war Greek Cinemas Animation
  • Be More Than Binary
  • data-information-knowledge-humanities
  • Net effects: examining strategies for women’s inclusion and influence in ASX200 company boards
  • data-information-knowledge-humanities
  • ARC LIEF (2008-2017) by gender (node size = income)
  • Australia male film producers (2006-2015)
  • German male film producer networks (2009-2016)
  • Swedish film producer networks (2006-2016)
  • Screenshot of HuNI Knowledge Graph
  • Swedish male film producer networks (2006-2016)
  • Scholarship in a Clopen World
  • Be More Than Binary
  • “How Do We Live Together Without Killing Each Other?” Indigenous and Feminist Perspectives on Relationality
  • Controlling for openness in the male-dominated collaborative networks of the global film industry
  • Understanding the dynamics between the United States and Australian film markets: testing the ‘10% rule’
  • Serendipity and Knowledge Organisation
  • She Must Be Seeing Things! Gender disparity in camera department networks
  • “Nousferatu”: Are corporate consultants extracting the lifeblood from universities?
  • By a long shot: Power, devaluation and discrimination in a toxic cultural workforce
  • Cinema Heritage in Europe
  • Defining Moments in Cinema-Going (Australia)
  • Twice Born: Dionysos Films and the Establishment of a Greek Film Circuit in Australia
  • What is a Cinema? Death, Closure and the Database
  • Mapping the movies: reflections on the use of geospatial technologies for historical cinema audience researc
  • A Method for the Visual Representation of Historic Multivariate Point Data
  • Film Distribution in the Diaspora: Temporality, Community and National Cinema
  • Coming soon (to a theatre near you): The temporality of global film distribution to Australia
  • 'It Was an Experience That Totally Blew Up in My Face': Steve Raisback and Turkey Shoot
  • Senses of Cinema-Going: Brief Reports on Going to the Movies around the World [Special section]
  • Jane Campion
  • Australian screen adaptations in the AFI Research Collection
  • Histories of Cinema-Going
  • Turkey Shoot
  • Guest editorial
  • History of Cheap Guffaws (hehehe)
  • A Scenography of Love
  • Twice born: Dionysos Films and the establishment of a Greek film circuit in Australia
  • Editorial
  • She Would Say That, He’s from Melbourne: Fun and Games with Dame Edna and Barry Humphries
  • She would say that, he's from Melbourne: Fun and games with Dame Edna and Barry Humphries
  • Above the bottom line: Understanding Australian screen content producers
  • Doing the Sheep Good
  • 'The film I would like to make: in search of a cinema (1927-1970)'
  • GEP-Analysis Project: Film industry affiliation and adjacency matrices (UK)
  • GEP-Analysis Project: Film industry affiliation and adjacency matrices (Germany)
  • GEP-Analysis Project: Film industry affiliation and adjacency matrices (Canada)

Usage metrics

Co-workers & collaborators

Stuart Palmer

Stuart Palmer

Alwyn Davidson

Research Associate - Deakin University, Melbourne

Alwyn Davidson

Deb Verhoeven's public data