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Hiding in Plain Sight: False Identity and the Use of Space in Akira Kurosawa's The Hidden Fortress.

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journal contribution
posted on 2015-01-21, 07:35 authored by Bryan MeadBryan Mead

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Mead, B. (2014). Hiding in Plain Sight: False Identity and the Use of Space in Akira Kurosawa's The Hidden Fortress.. S O C R A T E S, 2(4), 1-12. Retrieved from http://www.socratesjournal.com/index.php/socrates/article/view/84

References

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Chatman, S. (1990). Coming to terms: The rhetoric of narrative in fiction and film. Ithaca, NY: Cornell University Press.

Goodwin, J. (1994). Akira Kurosawa and intertextual cinema. Baltimore: Johns Hopkins University Press.

Howe, J. (2010). The Hidden Fortress. In J. Berra (Author), Directory of world cinema. (pp. 90-91). Bristol (UK): Intellect.

Prince, S. (1999). The warrior's cinema: The cinema of Akira Kurosawa. Princeton, NJ: Princeton Univ. P.

Richie, D. (1996). The films of Akira Kurosawa,. Berkeley: University of California Press.

Russell, C. (1995). Narrative mortality: Death, closure, and new wave cinemas. Minneapolis: University of Minnesota Press

West, D. (2006). Chasing dragons: An introduction to the martial arts film. London: I. B. Tauris.

Yoshimoto, M. (2000). Kurosawa: Film studies and Japanese cinema. Durham, NC: Duke University Press.


 

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