figshare
Browse

Zied BEN AMOR

0000-0003-3138-0088

PhD Assistant Professor (Literary theory; Literary studies not elsewhere classified; Other literatures in English; Comparative and transnational literature; British and Irish literature; Drama, theatre and performance studies)

Sousse, Tunisia

AUTHOR’S BIOGRAPHY PhD. Postgraduate from the University of BLAISE PASCAL, France. Assistant Professor at the Faculty of Arts and Humanities of Sousse and the ex-chairman of the English Department at the same faculty. Author of several academic articles on Renaissance drama/theatre in England and contemporary Tunisian theatre in various Tunisian and international academic reviews. He worked on joint projects with the Tunisian National Theatre and helped set and implement the program of "l'Ecole des Maîtres" (The School of Masters) with the Director of the Tunisian National Theatre, Master Mohamed Driss, from 2007 until 2011. Blogger and activist in the field of higher education and a co-founder of an autonomous National Union for university teachers and researchers in Tunisia.

Publications

  • https://irlsjournal.com/ojs/index.php/irls/article/view/21
  • https://www.researchgate.net/publication/359068420_Islands_and_Heaths_in_William_Shakespeare's_Othello_the_Tempest_Macbeth_and_King_Lear_Homelands_or_Hinterlands
  • Mapping Sight and Blindness in the King Lear(s) of William Shakespeare and Roberto Ciulli: Towards a Poly-optic Reading
  • La représentation de l'oriental et de l'africain à l'époque shakespearienne
  • “That ebb and flow by the moon”: Flowing Bodies and Minds in King Lear, Othello, Hamlet and the Tempest by William Shakespeare
  • When Doctor Faustus Fails, Irony Prevails: The Spectacle of Blindness in Christopher Marlowe’s The Tragical History of Doctor Faustus
  • Islands and Heaths in William Shakespeare’s Othello, the Tempest, Macbeth, and King Lear: Homelands or Hinterlands?
  • From Illness to Meta-selves in William Shakespeare’s Hamlet and King Lear
  • Demonism, Damnation, and Salvation in John Webster’s The Duchess of Malfi: Christian and Manichaean Manifestations
  • Flowing Bodies and Minds in King Lear, Othello, Hamlet and the Tempest by William Shakespeare
  • “That ebb and flow by th’ moon”: The Dynamics of Flow Theory and Optimal Experience in William Shakespeare’s King Lear
  • “Santiago Matamoros” or Saint James the Moor Killer: Who Wants to Kill the Moor in William Shakespeare’s Othello?
  • Metatheatre as the Invisible in the Non-burlesque Constructs of Shakespeare
  • Staging violence in William Shakespeare’s 'Hamlet': From the theatrics of the mind, the image and the stage to the creation of the meta-self
  • Digital Shakespeare in a Post-COVID Educational Landscape: Context, Strategies, and Challenges
  • Metatheatre in William Shakespeare’s Hamlet: Recycling or Reviving the Script?
  • Demonism, Damnation, and Salvation in John Webster's The Duchess of Malfi: Christian and Manichaean Manifestations

Usage metrics

Co-workers & collaborators

  • Mourad Romdhani

Zied BEN AMOR's public data