Deb Verhoeven

Publications

• Film Distribution in the Diaspora: Temporality, Community and National Cinema DOI: 10.1002/9781444396416.ch14
• A Method for the Visual Representation of Historic Multivariate Point Data DOI: 10.1007/978-3-642-19214-2_11
• Editorial DOI: 10.1386/sac.4.3.193_2
• Turkey Shoot DOI: 10.1386/sac.4.1.73_1
• Australian screen adaptations in the AFI Research Collection DOI: 10.1386/sac.3.3.325_7
• She would say that, he's from Melbourne: fun and games with Dame Edna and Barry Humphries DOI: 10.1080/14443050903079706
• Guest editorial DOI: 10.1386/sac.1.3.243_2
• Twice born: Dionysos Films and the establishment of a Greek film circuit in Australia DOI: 10.1386/sac.1.3.275_1
• As Luck Would Have It
• The Australian Screen Producer in Transition
• Aggregating data for social linking in the humanities and creative arts: The humanities networked infrastructure (HUNI)
• Doing the sheep good: Facilitating engagement in digital humanities and creative arts research
• The collaborative economy: A disruptive innovation or much ado about nothing?
• Mapping the ill-disciplined? Spatial analyses and historical change in the postwar film industry
• Kinomatics: A global study into cinema data
• A ‘natural experiment’ in Australian cultural policy: Australian Government funding cuts disproportionately affect companies that produce more new work and have larger audiences
• Australian films at large: Expanding the evidence about Australian cinema performance
• German film producer networks (2009-2016)
• Australian film producer networks (2006-2015)
• Australian film producer networks (2006-2015)
• Show me the data!: Uncovering the evidence in screen media industry research
• German film producer networks (2009-2016)
• Aggregating cultural heritage data for research use: The humanities networked infrastructure (HuNI)
• Exhibiting the exhibitors: Spatial visualization for heterogeneous cinema venue data
• Feature film diversity on Australian cinema screens: Implications for cultural diversity studies using big data
• The Cinema Cities Index: Comparing urban cinema cultures around the world
• Agregación de los datos para vincular social en las humanidades y artes creativas: La Humanities Networked Infrastructure (HuNI)
• (Inter-)Disziplinäre Routen und digitale Praxis: Kinomatics und die industrielle Geometrie der globalen Kinoforschung
• Screenshot of HuNI Knowledge Graph
• ARC LIEF (2008-2017) by gender
• Australian producer networks (2006-2015)
• Greek Cinema Venues in Melbourne, Australia
• Australian Producer Networks (2006-2015)
• Greek Cinema Venues in Melbourne, Australia
• Male Film Producer Networks in Australia (2006-2015)
• Male Film Producer Networks in Australia (2006-2015)
• Melbourne's Post-war Greek Cinemas Animation
• Melbourne's Post-war Greek Cinemas Animation
• Be More Than Binary
• data-information-knowledge-humanities
• Net effects: examining strategies for women’s inclusion and influence in ASX200 company boards
• data-information-knowledge-humanities
• ARC LIEF (2008-2017) by gender (node size = income)
• Australia male film producers (2006-2015)
• German male film producer networks (2009-2016)
• Swedish film producer networks (2006-2016)
• Screenshot of HuNI Knowledge Graph
• Swedish male film producer networks (2006-2016)
• Scholarship in a Clopen World
• Be More Than Binary
• “How Do We Live Together Without Killing Each Other?” Indigenous and Feminist Perspectives on Relationality
• Controlling for openness in the male-dominated collaborative networks of the global film industry
• Understanding the dynamics between the United States and Australian film markets: testing the ‘10% rule’
• Serendipity and Knowledge Organisation
• She Must Be Seeing Things! Gender disparity in camera department networks
• “Nousferatu”: Are corporate consultants extracting the lifeblood from universities?
• By a long shot: Power, devaluation and discrimination in a toxic cultural workforce
• Cinema Heritage in Europe
• Defining Moments in Cinema-Going (Australia)
• Twice Born: Dionysos Films and the Establishment of a Greek Film Circuit in Australia
• What is a Cinema? Death, Closure and the Database
• Mapping the movies: reflections on the use of geospatial technologies for historical cinema audience researc
• A Method for the Visual Representation of Historic Multivariate Point Data
• Film Distribution in the Diaspora: Temporality, Community and National Cinema
• Coming soon (to a theatre near you): The temporality of global film distribution to Australia
• 'It Was an Experience That Totally Blew Up in My Face': Steve Raisback and Turkey Shoot
• Senses of Cinema-Going: Brief Reports on Going to the Movies around the World [Special section]
• Jane Campion
• Australian screen adaptations in the AFI Research Collection
• Histories of Cinema-Going
• Turkey Shoot
• Guest editorial
• History of Cheap Guffaws (hehehe)
• A Scenography of Love
• Twice born: Dionysos Films and the establishment of a Greek film circuit in Australia
• Editorial
• She Would Say That, He’s from Melbourne: Fun and Games with Dame Edna and Barry Humphries
• She would say that, he's from Melbourne: Fun and games with Dame Edna and Barry Humphries
• Above the bottom line: Understanding Australian screen content producers
• Doing the Sheep Good
• 'The film I would like to make: in search of a cinema (1927-1970)'
• GEP-Analysis Project: Film industry affiliation and adjacency matrices (UK)
• GEP-Analysis Project: Film industry affiliation and adjacency matrices (Germany)
• GEP-Analysis Project: Film industry affiliation and adjacency matrices (Canada)
• The Kinomatics Australian Film Production Dataset
• The Kinomatics Australian Film Production Dataset
• Gender (im)balance in the Russian cinema: on the screen and behind the camera
• Shadow of a doubt: a network analysis of mentoring as a screen industry equity intervention
• Leading by the nodes: a survey of film industry network analysis and datasets
• Through a glass darkly: Researching workplace discrimination using an identity meta-perception (IMP) lens