My exploration aims to clarify fundamental formal and abstract notions of the nature, function, and significance of satire within its pluralistic complexity. I clarify concepts related to Satire, that focus less on advocating that it changes individual and world opinion, and more upon how individuals endure dysfunctionality through satire. Perma crisis is defined as an extended period of instability and insecurity, and illustrated through dysfunctional World politics, multi-societal inequalities, and injustices. The universal Language of satire is consumed through the glut of mass media. I argue that Painting as satire offers a relational and cathartic conduit of accessibility and readability.