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Things that Grown in the Wild Are Stronger, for Soprano & Piano

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posted on 2025-01-08, 22:19 authored by LINDA KOUVARASLINDA KOUVARAS, Sharon Flynn
_Things that Grown in the Wild Are Stronger_ for Soprano & Piano (2024) was written at the invitation of pianist Coady Green and poet Sharon Flynn. The piece (05:30) falls within the genre of neo-tonal contemporary art music. A celebration of “wild” foods, setting text by the legendary Sharon Flynn, one of Australia’s leading authorities on fermentation. Flynn’s personal story of coming to the healing properties of fermentation is detailed in her second book, _Wild Drinks: The New Old World of Small-Batch Brews, Ferments and Infusion_, where she describes how these foods restored her youngest child’s health. In my setting of “Things That Grow”, the key changes reflect the burgeoning state of these wild plants, with a focus on the outward-looking Lydian mode. A recurrent arpeggiated piano motive represents shimmering life. The middle section has a cessation of motion, the young shoots yet dormant; the soprano leap of a minor ninth portends what is to come. The song ends triumphantly on the soprano’s top A in the key D Major, inflected through Mixture with the flattened 6th, over exuberant piano semiquavers.

History

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NTRO Output Type

  • Original Creative Work

NTRO Output Category

  • Original Creative Work : Other

Place

Melbourne, Australia

NTRO Publisher

Australian Music Centre

Medium

original published score

Research Statement

The composition falls within the discipline of contemporary art music. Sharon Flynn’s text, one of Australia’s leading authorities on fermentation, celebrates “wild” foods and their role in restoring to health her very unwell infant. My setting traverses the emotive context inherent to this tableau. The premiere concert was a collaboration with the Australian Food and Wine Festival. My metaphors of neo-tonality denote the little-understood yet compelling facets of these wild plants: the “outward-looking” Lydian mode with many “burgeoning” modulations; recurrent “shimmering life” arpeggiated piano motive; cessation of motion to depict yet-dormant young shoots. An animated, triumphant, yet poignant ending, accounting for restoration of health through “wild” foods, falls on the soprano’s top A in D Major, inflected through flat-6th Mixture, over exuberant piano semiquavers. It is an enormous honour to have been invited by the award-winning concert pianist, Coady Green, and the award-winning author of the text, Sharon Flynn, one of Australia’s leading authorities on fermentation, to compose a work for this now-annual Festival. The work is published by the Australian Music Centre, a peer-reviewed publishing body, Australia’s leading publishing house for music composition, and recording is in-progress towards inclusion in the Toccata Classics multi-album project of recording my complete chamber works. Première performance of the work given by Lily Flynn (soprano) and Coady Green (piano) at the 2024 fortyfivedownstairschamber music festival 16 March 2024 https://fortyfivedownstairs.com/event/wild-drinks-beautiful-broomsticks/ .

Size or Duration of Work

4min 30sec

Affiliation

Linda Kouvaras, University of Melbourne

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