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I Think I Can

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posted on 2025-04-24, 03:18 authored by MARTYN COUTTSMARTYN COUTTS, Sam Routledge
Participants first take a playful “Career Test” on a custom-built iPad Application. The test calculates their personality and provides them a choice of puppets in professions to which they are suited. This encourages children to imagine themselves into another reality, as if they were grown up. They receive an intricately detailed 1:87 scale human figure and are invited to imagine their resident’s story. As a puppeteer animates the character into the miniature railway world, the participant tells their puppet’s story. This story is documented and appears on the website created for the project, which is in the form of an online newspaper. As the puppet is animated, its movements are filmed and the footage is streamed live onto screens above or adjacent to the installation. At the end of their direct engagement, participants are given a “passport,” which enables them to return to the miniature town at anytime over the period of the engagement and move their figure again in relation to what has happened around them. As more characters arrive, the virtual community continues to expand, and each participant can track the journey of their figure through the online newspaper.

History

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NTRO Output Type

  • Original Creative Work

NTRO Output Category

  • Original Creative Work : Other

Place

Melbourne, Australia

Venue

Multiple Venues

NTRO Publisher

Terrapin Theatre

Medium

Participatory Art

Research Statement

This work was a fusion of live art, social practice, media art and participatory practice. It aimed to engage audiences imaginative play in a virtual (yet also real) world. In this way it drew on practices of sandbox style computer games, live action role playing (LARP) as well as improvisational practices of the performers. The work focused on a one-on-one experience that was then transformed into a large-scale communal experience that drew on crowd sourced stories that were weaved together into a giant narrative. The work also engaged with community model train groups in each location, adding a local flavour of expertise and knowledge to the work. This work was toured to twenty locations including overseas locations such as Belfast, Birmingham, Calgary, Vancouver, The Hague, Fayetteville (US), Taipei and had its closing season at the Royal Shakespeare Company in Stratford-upon-Avon.

Size or Duration of Work

2 Weeks

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