The “cinematographic method of thought” in Bergson: Continuity by discreteness in cinematograph, thought and mechanical motion

The success of cinematograph hides an ontological basis still in its fundamental principle for representation of motion by a linear (and thus well-ordered) series of static frames

 That representation of motion by static frames is absolute for it rests on the ontological equivalence of discreteness and smoothness

The equivalence of discrete and smooth (continuous) motion underlies quantum mechanics as the principle of wave-particle duality offered by Louis de Broglie (1924)

 Henry Bergson (1907) suggested the “cinematographic method of thought” for distinguishing “durée” (time by itself) from the transcendental  limitation for it to be represented in human knowledge and cognition