A Common Framework for the Analysis of Complex Motion? Standstill and Capture Illusions

2014-10-14T09:30:12Z (GMT) by Max Dürsteler
<p><em>Videos for the article published in "Frontiers Human Neuroscience" ( http://journal.frontiersin.org/Journal/10.3389/fnhum.2014.00999/abstract )</em><em> </em></p> <p><strong>Abstract</strong></p> <p>A series of illusions was created by presenting stimuli, which consisted of two overlapping surfaces each defined by textures of independent visual features (i.e. modulation of luminance, color, depth, etc.). When presented concurrently with a stationary 2-D luminance texture, observers often fail to perceive the motion of an overlapping stereoscopically defined depth-texture. This <strong><em>illusory motion standstill</em></strong> arises due to a failure to represent two independent surfaces (one for luminance and one for depth textures) and <em><strong>motion transparency</strong></em> (the ability to perceive motion of both surfaces simultaneously). Instead the stimulus is represented as a single non-transparent surface taking on the stationary nature of the luminance-defined texture. By contrast, if it is the 2D-luminance defined texture that is in motion, observers often perceive the stationary depth texture as also moving. In this latter case, the failure to represent the motion transparency of the two textures gives rise to <em><strong>illusionary motion capture</strong></em>. Our past work demonstrated that the illusions of motion standstill and motion capture can occur for depth-textures that are rotating, or expanding / contracting, or else spiraling. Here I extend these findings to include stereo-shearing. More importantly, it is the motion (or lack thereof) of the luminance texture that determines how the motion of the depth will be perceived. This observation is strongly in favor of a single pathway for complex motion that operates on luminance-defines texture motion signals only. In addition, these complex motion illusions arise with chromatically-defined textures with smooth, transitions between their colors. This suggests that in respect to color motion perception the complex motions’ pathway is only able to accurately process signals from isoluminant colored textures with sharp transitions between colors, and/or moving at high speeds, which is conceivable if it relies on inputs from a hypothetical dual opponent pathway.</p>